As its unsettling secrets unfold, the line between truth and deception begins to blur."It's so thrilling, it's so sexy," Johnson said.
"You are constantly trying to figure out what the truth is and who the good people are and who the bad people are.
It's kind of a lot like life."The adaptation is the latest of Hoover's novels to reach the big screen, following the attention generated by Justin Baldoni's It Ends With Us.Directed by actor-turned-filmmaker Michael Showalter, the film stars Academy Award winner Anne Hathaway as Verity and Josh Hartnett as her husband, Jeremy.The Big Sick director said he was captivated by the darkly seductive allure Hoover created.
"It felt like this very glamorous, hypnotic, inviting world that I wanted to lose myself into, but also very scary and suspenseful," he said.For Hartnett, the film's refusal to provide straightforward answers drew him to the project.
"What I love about this story is that it's kind of a choose-your-own-adventure about who is the villain," the Oppenheimer actor said, adding that many modern films "spoon-feed" audiences conclusions.He said he hopes the film's open-ended nature will spark debate among cinemagoers.
"I want to hear lots of arguments.
I want to see people throwing popcorn in other people's faces," he joked.Hartnett said he was "mesmerised" watching Hathaway and Johnson portray their characters.
"These two are just right up there with all the very best in our industry," he said.
"This whole film exists on their two faces."For Johnson, Verity's dark themes have only increased her appetite for villainous roles.
"I would love to be a villain.
It's so fun to play a crazy person," the Fifty Shades of Grey actor told Reuters.Showalter said Hoover remained closely involved throughout the filmmaking process and even makes a cameo appearance.
While the movie remains largely faithful to the novel, the director acknowledged it leans further into erotic themes.
"We are sexual creatures and this story explores that," he said.More broadly, Showalter said he wanted to make a mainstream film that trusted audiences to engage with uncomfortable ideas."We can handle things that don't feel everyday," he said.

Pakistan · World · Independent Digital Newsroom

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